Have you seen those heartbreaking commercials
for the ASPCA (short for American Society For The Prevention Of Cruelty To
Animals) featuring pictures of abandoned cats and dogs as Sarah McLachlan sings
"In The Arms of An Angel?" Makes you want to whip out that checkbook
and send them a donation, doesn't it?
Well, go ahead. It's a very worthy
organization. But if you think any of that money is going to filter down to
local animals, think again.
That's because the ASPCA, despite
the "American" in its title, is simply the New York society. It gets
to put "American" before the name because it was the first SPCA in
the country. It is not – repeat, not – an umbrella organization for SPCAs all
over the country, including the East Bay SPCA.
If you send the ASPCA a donation
you'll be helping some very deserving cats and dogs in New York. But if you
want your dough to go to animals closer to home, you'll have to contribute to a
local organization.
Same for the HSUS, the Humane
Society Of The United States. It's a lobbying organization in Washington. DC,
that operates no shelters of its own. And it has no – repeat, no – connection
to humane societies across the country that do operate shelters, such as the
Berkeley Humane Society. Again, if you want your money to do some good here,
you'll have to contribute directly to a local organization.
So what's the difference between an
SPCA and a humane society? Answer: nothing. They're both private adoption
agencies for homeless cats and dogs that cooperate closely with their respective
city shelters.
They are supplemented by local
rescue groups, such as Island Cat Resources & Adoption, Fix Our Ferals,
Hopalong, Muttville, Home At Last, Furry Friends Rescue, Community Concerned
For Cats, Rocket Dog Rescue, San Francisco Bay Area Dog
Rescue, and Adopt A Dog, as well as breed-specific dog and cat rescue
groups. These organizations deserve our support, too.
* * *
Finally, a fond farewell to James Garner, television's first
anti-hero. In an era when westerns dominated the airwaves and every other actor
was trying to be John Wayne lite, his character, Brett Maverick, was a charming
rogue who did everything he could to avoid getting into a fistfight, let alone
a shootout. In the stolid, button-down 1950s, that was a breath of fresh air.
I still remember the dilemma I faced every Sunday night: Should
I watch "Maverick" on ABC or Ed Sullivan on CBS?
Solution: I tuned in to the first 30
seconds of" Maverick" to see if that week's episode was going to be
about Brett (Garner) or his brother Bart (Jack Kelly). If it was Brett, I
watched "Maverick." If it was Bart, I would groan and immediately
switch over to Sullivan.
Garner played variations on that character
for the rest of his career, most notably on "The Rockford Files" and
in two World War II movies – "The Great Escape," in which he played
the scrounger, of course, and "The Americanization of Emily, which paired
him hilariously with Julie Andrews at her earnest do-gooder best.
He was also one of the greatest
Raiders fans of all time. I can't remember a game during the team's heyday in
the 1970s when he wasn't on the sidelines cheering them on.
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