"When you see a gent/Paying
all kinds of rent/For a flat that could flatten the Taj Mahal/When a bum buys
wine like a bum can't afford/It's a cinch that the bum/is under the thumb/of
some little broad/When a lazy slob/takes a good steady job/And he smells from
Vitalis and Barbasol/Call it sad, call it funny/But it's a better than even
money/That the guy's only doing it for some doll."
Yes, "Guys And Dolls,"
one of the classics of the golden age of Broadway musicals, is coming to
Berkeley's Julia Morgan Theater in a new production from Berkeley Playhouse.
When it premiered in 1951 it won
the Pulitzer Prize for Drama; but the award was yanked at the last minute
because of scriptwriter Abe Burrows' troubles with the House Un-American
Activities Committee, and no Pulitzer for Drama was awarded that year.
"Guys And Dolls" is a comic
topsy-turvy world where the bad guys are the good guys, sporting names like Big
Jule, Harry the Horse, Nathan Detroit and Nicely Nicely Johnson. It features classic
songs like "Fugue For Tinhorns," "Sit Down, You're Rocking the
Boat" and "The Oldest Established Permanent Floating Crap Game In New
York."
Since the hoodlums are the good
guys, it follows that the bad guys are the cops – in the person of Lt.
Brannigan, who keeps trying to bust Nathan Detroit's crap game. In a case of
life imitating art, the role is being played by a real-life cop: Berkeley
Police Sgt. Tom Curtin.
"I'm the heavy," he says.
"I'm the guy trying to put flies in the ointment."
Curtin has loved musical theater
ever since he played Jesus in a high school production of "Godspell,"
but he put his theatrical career on hold after college to concentrate on
catching crooks.
Now he's back. This is his second stint
with Berkeley Playhouse, having previously played a Nazi in "The Sound of
Music."
"Guys And Dolls" will run
from March 21 to April 28, but the songs will linger in your memory a lot
longer than that.
Meanwhile, happy birthday to
Oatmeal and RaIsin, the two Babydoll lambs at Children's Fairyland in Oakland,
who turned one year old last week, which means they've officially graduated from
lamb to sheep status.
Fairyland celebrated with a big party
featuring a birthday cake made of lamb chow and hay, which Oatmeal and Raisin
scarfed up in a nanosecond. And all the little children serenaded them with a lamb
song ("Mary Had A Little Lamb") a sheep song ("Baa Baa Black
Sheep") and, of course, "Happy Birthday."
Adorable doesn't even come close to
describing it.
Finally, remember Audrey Vardanega, the 17-year-old piano virtuoso
from Oakland who has been getting raves from classical musicians and critics
since she was a tween?
She's leaving for college next
fall, so one of your last chances to catch her will be on March 17, when she
gives her senior recital at the Crowden School of Music in Berkeley, playing
pieces by Liszt, Chopin, Scriabin, Haydn and Bach.
I first heard Audrey when she was
only 13, playing at the Midsummer Mozart Festival, and I was blown away. I
asked the festival's artistic director, Maestro George Cleve, how good she was
for her age. And he laughed out loud.
"Martin," he said,
"She's great for ANY age!"
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