I'll never forget the first time I
heard B.B. King. The date was Dec. 7, 1967, and the place was the old Fillmore
Auditorium in San Francisco.
I had no idea who he was, and
neither did anyone else in that audience of white hippies. We were there to see
the Electric Flag - the band Mike Bloomfield formed after he left the Paul
Butterfield Blues Band - and the Byrds, making their first appearance after Jim
McGuinn changed his name to Roger.
Then Bill Graham announced,
"Ladies and gentlemen, I bring you the chairman of the board, B.B. King!"
And out came this middle-aged man wearing a suit and tie, of all things.
In a world-weary voice he sang the first
few words of his classic, "Sweet Sixteen" - "My brother's in
Korea, baby; my sister is in New Orleans" - and ripped off a wicked lick
on his guitar that made all our heads snap to attention.
His left hand fluttered up and down
the guitar's neck like a butterfly, fingers vibrating to wring the last ounce
of soulful feeling out of each note. It was a perfect visual metaphor for the
blues – making something exquisitely beautiful out of something so profoundly
sad.
We had never heard anything like
that, and we leaped to our feet in excitement.
B.B. remembered that concert, too.
I didn't know it at the time, but I was privileged to present at a historic
moment - when he finally broke through to a mainstream audience.
Two years before, an emcee at a
nightclub in Chicago had introduced him with the humiliating words "OK,
folks. Time to pull out your chitlins and your collard greens, your pig's feet
and your watermelons, because here is B.B. King." He was furious.
But it was a different story when
he played the Fillmore two years later. As he recalled, "When I saw those
long-haired white people lining up outside, I told my road manager, 'I think
they booked us in the wrong place.' Then everybody stood up, and I cried."
And his new fans stayed loyal as he
– and we - grew old together. For decades, whenever B.B. and I were in the same
city, I always made it a point to catch his act. And he never disappointed.
He played with everyone from Eric
Clapton to Barack Obama, who sang a charming duet on "Sweet Home
Chicago" with him at the White House last year. But his favorite singer
was Frank Sinatra, whom he credited for opening up the lucrative gigs in Las
Vegas for him.
His virtuosity was legendary among
other guitarists; but, like Fred Astaire, he never let you see him sweat. Those
gorgeous, sensuous guitar lines seemed to flow effortlessly from his
fingertips.
And though he took his music very seriously,
he wasn't afraid to make fun of it, as in his hilarious song, "Nobody
Loves Me But My Mother, And She Could Be Jivin' Too."
He was inducted into the Rock and
Roll, R&B, and Blues Halls of Fame and received both the Kennedy Center
Honors and the Presidential Medal of Freedom.
Now he's gone, but the thrill is
not. Thanks to technology, we will always have his music with us.
But I'm still going to miss that
butterfly.