Now playing at Children's Fairyland's
Open Storybook Puppet Theater: "The Magic Blossom," written and designed
by Fairyland's beloved Master Puppeteer, Lewis Mahlmann.
"The Magic Blossom" is
the 150th puppet production Mahlmann has created for Fairyland,
where he was Director of Puppets for 43 years, from 1967 until his retirement
in 2006.
And it's also the final one. At 85,
Mahlmann has firmly stated that this is his last hurrah.
"The Magic Blossom" is the
puppet version of a literary classic: Shakespeare's "A Midsummer Night's
Dream." Over the years, he has puppetized such other classics as "Pinocchio,"
"The Magic Flute," "Hansel and Gretel," "Peter and the
Wolf," "The Nutcracker," "Coppelia" and "Peer
Gynt."
"I do puppet shows to
entertain, but not just to entertain," he once told me. "I want to
show the children that there are wonderful stories out there that they can
read, and I also want to teach them the right way to live."
For instance, in his version of
"Pinocchio," Pinocchio doesn't achieve his dream of becoming a real
boy until he learns to be kind to others.
The Blue Fairy asks him, "If I
give you a wish, would you rather be a real boy?"
He replies, "I'd rather my
father get well."
At the end of the play Pinocchio finally
becomes a real boy, but he doesn't recognize his friend, the cricket any more.
The cricket turns to the audience and says, "Maybe there's somebody else
out there who needs me."
Heavy stuff for a 5-year-old, but
Mahlmann makes the message go down easier with a constant barrage of jokes and
puns that keep the little ones screaming with laughter.
"One thing I never do is talk
down to a child," he told me. "That may sound phony, but it's true.
I'll tailor the language to their learning level, but that's not the same
thing."
Every kid loves puppets, but a few
get absolutely hooked and decide to become puppeteers themselves when they grow
up. And Mahlmann has always taken them under his wing and taught them
everything he could.
One was a 10-year-old named Randal
Metz, who shyly knocked on the door of the Puppet Theater one day in 1970. And,
except for a couple of years with the Muppets, he's been there ever since,
succeeding Mahlmann as Director of Puppets in 2006.
Mahlmann pays him the ultimate
compliment: "He loves puppetry as deeply as I do."
And Metz, who still talks to
Mahlmann every day to get his advice, returns the sentiment.
"Lewis is a teacher, first and
foremost, and his job has always been to educate in a sensitive, positive way. He
believes each Fairyland show should be as if a kid was seeing a theatrical
stage production, not just 'Hi! I'm a bunny rabbit! How are you today?'"
"And his influence goes way
beyond the Puppet Theater," adds Fairyland's executive director, C.J.
Hirschfield. "The Beatrix Potter rabbit village, the Old West Junction and
the murals for the Jolly Roger Pirate ship are all his designs, too."
"The Magic Blossom" will
run until August 29.
"It's Lewis's final gift to
the Puppet Theater – and the kids – he loves," says Hirschfield. "But
his productions will be playing as long as there is a Fairyland, which I hope
is forever."
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