(Above: Audrey Vardanega)
If you're looking for
something really fun to do this month, you couldn't do better than the 38th
annual Midsummer Mozart Festival.
Why am I such a fan? Partly,
it's because Mozart is the greatest composer who ever lived. That's not meant
as a knock on other great composers, from Bach to Ellington. I love their
stuff, but nobody can touch Mozart. His music sounds like it was dictated by
God. Theirs doesn't.
It's so good, you don't need
to know anything about music to "get" it. Like the Beatles, you're
hooked from the first note.
I also love the festival
because of the quality of its orchestra and soloists. They're some of the best
musicians in the world, including pianist Seymour Lipkin, tenor Christopher Bengochea,
bass Kurt Eichelberger, and sopranos Rebecca Davis and Christina Major, all
under the direction of one of the world's foremost Mozartians, Maestro George
Cleve.
But for me, the biggest draw
is 16-year-old phenom Audrey Vardanega, who will perform Mozart's Piano
Concerto in G, K. 453.
I first heard Audrey play
when she was only 13; and even at that age, she blew me away. Her technical
proficiency was immaculate, of course, but her artistry went way beyond getting
all the notes right.
Audrey is one of those rare
musicians who can communicate not only the essence of the music, but also the
sheer joy she takes in playing it.
Remember what Wynton
Marsalis said about Count Basie in Ken Burns' "Jazz" documentary?
"Basie would be swinging before he even played the first note."
That's Audrey, too. She and the music – and the audience – are one.
I asked Cleve how good she
was for her age. He laughed and replied, "Martin, she's good for ANY
age!"
And the best part is that
none of this has gone to her head. She's just a really nice kid who happens to
have an extraordinary talent.
Make that talents, plural.
As good as she is on the piano, she's also fantastic on the violin.
She's also an accomplished
composer with dozens of sonatas, suites and musical scores to her credit,
including an original ballet called "Zingara," which will be performed this
fall with the Academy Orchestra in San Francisco.
And
as if this weren't enough, she's also a talented actor who has interned with
ACT in San Francisco.
From
an early age, people have been pulling her in all directions. The piano people
keep telling her to dump the violin and be a pianist. The violin people tell
her to dump the piano and be a violinist. And the theater people tell her to dump
them both and be an actor.
To
her credit, Audrey doesn't want to be any of those things. She has a loftier
ambition: She wants to be Audrey. She doesn't want to be defined by her
talents.
That's
why she goes to College Prep in Oakland instead of a music conservatory. As she
told me, "I want people to judge me by my personality, not my piano
playing."
But
don't take my word for it; go hear her for yourself. The festival will run from
July 19-29 at locations in Berkeley, San Francisco, San Jose and Sonoma County.
Visit midsummermozart.org to purchase tickets and get information about
specific programs.
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